New Mastersounds PRESS

BBC Radio 2

noreply@blogger.com (New Mastersounds) — Sat, 07 Jun 2008 15:56:00 +0000

"Here's a marriage made in heaven: The New Mastersounds with Dionne Charles. (Mark Lamarr - BBC Radio Two)"

Craig Charles Funk & Soul Show

noreply@blogger.com (New Mastersounds) — Tue, 20 May 2008 08:38:00 +0000

"There is a good reason why these guys are the daddies of the UK scene and it is all in this album. Soul, Afro-funk, New Orleans-Funk and one blinding piece of Soul-Jazz. Plug & Play is simply a non-stop party"

Rhapsody.com

noreply@blogger.com (New Mastersounds) — Sat, 10 May 2008 12:37:00 +0000

"The New Mastersounds are an organ-heavy group from Northern England who are in love with old American boogaloo records of all stripes (jazz, soul, funk and whatever else gets you on the dancefloor). Beloved for their energetic live shows, the New Mastersounds are joined here (about half the time) by Dionne Charles, a ferocious R&B belter who triumphs on tunes like "All We Can Do" and "Looking For An Answer." While it may initially seem like the band's appeal is limited to mod-suited soul nostalgia, jam rockers, crate diggers and night clubbers will definitely dig the New Mastersounds. (Nick Dedina, Rhapsody.com)"

C.H.U.D. Atlanta Show Review

noreply@blogger.com (New Mastersounds) — Mon, 10 Mar 2008 12:31:00 +0000

"What's amazing is how these four guys can fill a room with the tightest and most intricately delicious music with what superficially seems like nothing fancy. There's no smoke and mirrors with these boys. They're normal looking chaps with guitarist Eddie Roberts playing a big-bodied Gibson, keyboardist Joe Tatton sitting at one organ using a very limited amount of sounds, bassist Pete Shand grooving away in the background, and drummer Simon Allen doing his thing tight as anyone's business but without theatrics."

WAH WAH 45

noreply@blogger.com (New Mastersounds) — Thu, 11 Oct 2007 06:17:00 +0000

"Wow, those mixes are ace - cant fault any of them!! Strong!!" - Dom Servini

BEST KEPT SECRET

noreply@blogger.com (New Mastersounds) — Thu, 11 Oct 2007 03:03:00 +0000

"A fanciful, debonair & dashing array of remixes - like having an open air martini with James Bond on Brighton beach" - Nick Matthews

JELLY JAZZ

noreply@blogger.com (New Mastersounds) — Wed, 10 Oct 2007 23:44:00 +0000

"A simple review: listen to the samples, marvel at the sounds within, buy the record... 10 out of 10"

BBC

noreply@blogger.com (New Mastersounds) — Wed, 20 Jun 2007 23:05:00 +0000

"The NMS are easily the best of the recent crop of bands for whom samplers are moribund, but valve amps provide the meaning of life."

JAMBASE

noreply@blogger.com (New Mastersounds) — Sun, 25 Feb 2007 00:42:00 +0000

"While many would be content to crank out discs full of mere retrofunk, The New Mastersounds are not interested in re-creating the past; rather they are taking vintage sounds and attitudes and merging them with modern ideas. The result is an addictive blend that has one foot in the past, one foot in the present, and both eyes on the future."

24-7 MAGAZINE UK

noreply@blogger.com (New Mastersounds) — Sun, 11 Feb 2007 03:36:00 +0000

"Without shame this reviewer holds the NMS brand of funk as the best this country has to offer. Biased? Hell yeah! The reason being that all four members have the all-important element of soul, are ridiculously talented and gig relentlessly honing their art. For classic NMS genius check 'Carrot Juice' with its fast paced drumming, grinding bass, Bob's swirling Hammond perfection and Eddie's sublime guitar work. If you're a fan, '102%' will leave you full of joy, if you're not a fan, then why the hell not? Modern soul jazz and funk at its very best."

IDJ MAGAZINE

noreply@blogger.com (New Mastersounds) — Sun, 11 Feb 2007 02:33:00 +0000

"Leeds luminaries The New Mastersounds are known the world over for dropping explosive funk bombs. They live up to the title of this latest album (their fifth) by going that extra yard and producing tracks even more infectious and groovalicious than usual. Produced by the band’s guitarist Eddie Roberts, the crew set out their stall with the bristling title track, a deep, rhythmic tune with a classic backbeat, driving Hammond and slippery basslines. NMS show their hip-hop creds by launching into a loose-limbed cover of Roots Manuva's 'Witness'. From there on in it's a mix of Meters-style heat and their own diverse experiments, which include the splendid afro-batics of 'Hey Fela' and the psychedelic end-jam 'Paranoid'. Deft and satisfying."

JAMBANDS.COM

noreply@blogger.com (New Mastersounds) — Wed, 15 Mar 2006 02:56:00 +0000

"Performed with flair and grit, and with its retro sound, Live At La Cova plays like a soul jazz and funk lover's wet dream"

SOUL COOKERS

noreply@blogger.com (New Mastersounds) — Tue, 11 Oct 2005 02:17:00 +0000

"This album is even better than the first two - which we loved!"

Japan Times

noreply@blogger.com (New Mastersounds) — Tue, 11 Oct 2005 02:14:00 +0000

"Much like their American counterparts Soulive, NMS know how to work tight riffs and taut melodies into wild, extended jams. Fun and funky bands aren't meant to be this sophisticated, but with NMS you get both musical maturity and a great time."

The Onion

noreply@blogger.com (New Mastersounds) — Tue, 11 Oct 2005 02:08:00 +0000

"Needless to say, the album is a full on funk monster, with the hammond taking a greater role in the proceedings. NO VOCALS, just awesome instrumentals. Stand out tracks, for me, are the latin-tinged 'Tin Drum', the speed-funk 'Ain't No Telling' (Bob is outstanding on this track!) and 'Pure'. Who's the Elvis fan? F*****G MARVELLOUS!"

UNDERCOVER MAGAZINE

noreply@blogger.com (New Mastersounds) — Sat, 11 Oct 2003 02:21:00 +0000

"The New Mastersounds return with another funk album of classic proportions. Be Yourself sounds like it was recorded live, with its no-messing; let-the-music-speak-for-itself production (as it would’ve been in the 70s). The tunes have a refreshing quality that don't tend to focus on one theme throughout, covering a multitude of tempos and styles including jazz, funk and soul. Whether it be the crisp, rolling drums or the intricate guitar work, and not forgetting the Booker-T style Hammond organ, it's extremely difficult to pin-point a standout instrument or musician. With that in mind one has to conclude that it's ALL GOOD. It surely won't be long before they're seen up there with the likes of Grant Green and the Meters."

Yahoo! Music

noreply@blogger.com (New Mastersounds) — Mon, 06 Oct 2003 23:15:00 +0000

"Amazingly true to the original sound, even where they break from the formulae, as they do on the Asian guitar riffs on 'Be Yourself', they end sounding like the psychedelic soul of 'Resurrection'. It's a powerful and wonderful sound, which becomes still richer when Corinne Bailey Rae adds her fantastically earthy voice."

NIK WESTON

noreply@blogger.com (New Mastersounds) — Thu, 11 Oct 2001 02:48:00 +0000

"The funkiest 12 ever. Seek, buy and watch your floor explode"

JAMES TROUBLE

noreply@blogger.com (New Mastersounds) — Thu, 11 Oct 2001 02:47:00 +0000

"F***ing Genius, Truely progressive deepfunk"

DJ SNOWBOY

noreply@blogger.com (New Mastersounds) — Thu, 11 Oct 2001 02:44:00 +0000

"the best modern funk recordings I've heard"

BIG DADDY MAGAZINE: LP OF THE MONTH

noreply@blogger.com (New Mastersounds) — Thu, 11 Oct 2001 02:42:00 +0000

"LP OF THE MONTH: A benchmark release for UK funk"